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	<title>Comments on: week 1.1: or: ordinary Poem</title>
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	<link>http://www.hyperrhiz.net/symposium/2007/07/05/week-12-or-ordinary-poem/</link>
	<description>Electronic Literature Symposium 2007</description>
	<lastBuildDate>Fri, 14 Dec 2007 20:26:41 +0000</lastBuildDate>
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		<title>By: davin</title>
		<link>http://www.hyperrhiz.net/symposium/2007/07/05/week-12-or-ordinary-poem/comment-page-1/#comment-13</link>
		<dc:creator>davin</dc:creator>
		<pubDate>Mon, 09 Jul 2007 17:02:43 +0000</pubDate>
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		<description>I’m thinking about this post and your previous post and the notion of poetry and becoming.  The idea resonates nicely with Craig’s choice of the Fluxus poem, which is essentially an interesting assignment that promises an experience.  My reading of Neruda unlocked an existential encounter with time, functioning like a bit of code or an application that initiated a process in my head.  These pieces seem to do something similar.</description>
		<content:encoded><![CDATA[<p>I’m thinking about this post and your previous post and the notion of poetry and becoming.  The idea resonates nicely with Craig’s choice of the Fluxus poem, which is essentially an interesting assignment that promises an experience.  My reading of Neruda unlocked an existential encounter with time, functioning like a bit of code or an application that initiated a process in my head.  These pieces seem to do something similar.</p>
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		<title>By: heliopod</title>
		<link>http://www.hyperrhiz.net/symposium/2007/07/05/week-12-or-ordinary-poem/comment-page-1/#comment-8</link>
		<dc:creator>heliopod</dc:creator>
		<pubDate>Sat, 07 Jul 2007 02:24:03 +0000</pubDate>
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		<description>gearing, the bike&#039;s climb into hills, legs near feet
near the pedals make pressure and pull, as if his eyes
are not two, but two is important, the need for stereo-scopics, glasses for telling relief, aerial photographs
taken by machines forced high by burning

wind is not a river and fog is far too lazy for dilution</description>
		<content:encoded><![CDATA[<p>gearing, the bike&#8217;s climb into hills, legs near feet<br />
near the pedals make pressure and pull, as if his eyes<br />
are not two, but two is important, the need for stereo-scopics, glasses for telling relief, aerial photographs<br />
taken by machines forced high by burning</p>
<p>wind is not a river and fog is far too lazy for dilution</p>
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