Week Four: open.ended
I’ve long loved the aesthetic of Aya Karpinska’s/Daniel C. Howe’s three-dimensional poem space in open.ended. Although I’m not sure that there’s a substantial, thorough-going literary engagement here (lines such as “Eyes closed / I am / Anywhere” don’t particularly grab me), open.ended … entrances me. Here’s how the authors describe their work:
With real-time 3D rendering & dynamic text generation, open.ended attempts to refigure the poetic experience through spatialization & interaction. As visitors manipulate a joystick to control interlocking geometric surfaces, stanzas, lines, & words move slowly in & out of focus, while dynamically updating text maintains semantic coherence. Order is deliberately ambiguous & multiple readings encouraged as meaning is actively & spatially constructed in collaborative fashion & new potentials for juxtaposition, association & interpretation are revealed.
3 commentsWeek 4: Chance
Over the next week, introduce variance and/or chance into the structure. (Many of you are already moving down this path).But I am interested in the critical moments of the piece? Can you identify a key turning point in the narrative of the work? How is the turning point marked through formal decisions? What is the content of this turn? How would variance or chance change the piece? [Use any means or media to communicate your insights to the rest of the group.]
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